An Award for Excellence
The American Theatre Wing's Tony Awards® got their start in 1947 when the Wing established an awards program to celebrate excellence in the theatre.

Named for Antoinette Perry, an actress, director, producer, and the dynamic wartime leader of the American Theatre Wing who had recently passed away, the Tony Awards made their official debut at a dinner in the Grand Ballroom of the Waldorf Astoria hotel on Easter Sunday, April 6, 1947. Vera Allen, Perry's successor as chairwoman of the Wing, presided over an evening that included dining, dancing, and a program of entertainment. The dress code was black tie optional, and the performers who took to the stage included Mickey Rooney, Herb Shriner, Ethel Waters, and David Wayne. Eleven Tonys were presented in seven categories, and there were eight special awards, including one for Vincent Sardi, proprietor of the eponymous eatery on West 44th Street. Big winners that night included José Ferrer, Arthur Miller, Helen Hayes, Ingrid Bergman, Patricia Neal, Elia Kazan and Agnes de Mille.

The Early Years
From the very first year, the Broadway community embraced the Tonys. What began as a modest event grew into an annual celebration of theatrical achievement. But for their first two decades, the Tonys were a much more intimate affair than they are today.

Each year from 1947 until 1965, the dinner and Tony Awards presentation were held in ballrooms of such hotels as the Plaza, the Waldorf Astoria, and the Hotel Astor. The ceremonies were broadcast over WOR radio and the Mutual network and, in 1956, televised locally for the first time on Du Mont's Channel 5. Entertainment was provided by such Broadway favorites and talented then-newcomers as Katherine Cornell, Guthrie McClintic, Ralph Bellamy, Joan Crawford, Alfred de Liagre, Jr., Gilbert Miller, Shirley Booth, Carol Channing, Joan Fontaine, Paul Newman, Geraldine Page, Anne Bancroft, Sidney Poitier, Fredric March, Robert Goulet, Gig Young, Anna Maria Alberghetti, Henry Fonda, and many others.

In spite of the untimely death of Helen Menken, then chairwoman of the Wing, the 1966 Tony Awards were presented at the Rainbow Room. The ceremony was subdued and, for the first and only time, held in the afternoon without entertainment. The following year the Tony ceremony was once again a gala affair, but with a key difference. With Isabelle Stevenson as its new president, the Wing invited The League of American Theatres and Producers--then known as the League of New York Theatres--to co-present the Tonys in 1967, just in time for the ceremony's inaugural broadcast on network television. For the first time, a national audience could watch the presentation of Tony Awards.

The Television Era
Alexander H. Cohen produced the historic broadcast, which lasted only an hour, and organized a celebratory gala that followed immediately afterward. That year the Tonys moved from their traditional hotel ballroom setting to a Broadway theatre--the Shubert. Cohen continued to produce the awards ceremony and the gala dinner for the next two decades, overseeing their national telecast on various networks on behalf of the League and the Wing. During his tenure, the Tonys became known as the finest awards program on television, incorporating live performances with the bestowal of actual awards. The Cohen era ended in 1987, and that year the Wing and the League created Tony Award Productions, a joint venture that has continued to produce the awards and their related events to this day.

CBS began carrying the broadcast in 1978, and has aired the Tonys every year since. For six years beginning with the 51st annual awards presentation in 1997, the Tony Awards program took on a new format, thanks to a unique partnership between CBS and PBS. The result was a one-hour PBS special that covered 10 awards, immediately preceding the CBS broadcast. However, beginning in 2003, CBS devoted an entire three-hour time slot to the Tonys, resulting in a seamless awards and entertainment program.

The Tonys celebrated a milestone in 1997 when the awards ceremony moved away from Broadway for the first time in 30 years. The switch to New York's celebrated Radio City Music Hall allowed the Tonys to invite members of the general public to attend the awards at this historic, nearly 6000-seat facility, which can also accommodate cast and crew members of all nominated shows. With the exception of 1999, when the Tonys returned to a Broadway theatre (the Gershwin) in order to accommodate renovations at the Music Hall, the Tonys have been held at Radio City ever since.

The Medallion
During the first two years of the Tonys (1947 and 1948), there was no official Tony Award. The winners were presented with a scroll and, in addition, a cigarette lighter (for the men) or a compact (for the women).

In 1949 the designers' union, United Scenic Artists, sponsored a contest for a suitable model for the award. The winning entry, a disk-shaped medallion designed by Herman Rosse, depicted the masks of comedy and tragedy on one side and the profile of Antoinette Perry on the other. The medallion was initiated that year at the third annual dinner. It continues to be the official Tony Award.

Since 1968 the medallion has been mounted on a black pedestal with a curved armature. After the ceremony, each award is numbered for tracking purposes and engraved with the winner's name.